For his organic Curve daybed, commissioned by the French architect Pierre Yovanovitch for a Manhattan penthouse project, Fenhann began by making a scale model directly in wood, which was subsequently was 3D scanned, upscaled and converted into CNC programming. Next, the beautiful American walnut was cut, assembled and hand-polished, until it was as smooth as silk. In Curve, Fenhann focused on shape and the relationship between light and shadow. When two organic shapes meet, a sharp curvy line appears, and at this meeting point, light turns into shadow, giving rise to beautiful new forms.
This piece was commissioned by Pierre Yovanovitch for an interior in New York
The project was made at The Danish Art Workshops in Copenhagen and supported by the Danish Art Foundation.