The idea of letting nothing go to waste is characteristic of Fenhann’s approach to design. For Magnetic, he used the square walnut pieces that were cut out from his Kubo tables. By transforming the squares into small perfect cubes with painstakingly precise angles and sides, Fenhann gave this leftover material renewed nobility. The cubes have magnets inside, enabling them to connect to form various sculptural structures.
Exhibited at the solo exhibition “Japanometry”, Galerie Maria Wettergren, 2015.