In the Sakyu 砂丘 Bench/Table in solid white maple, Fenhann continues his exploration of the mathematical sine curves which he also used for his Sakyu - bench.
Sakyu has a strong kinetic appearance, the curves creating a highly rhythmic surface with resemblance to a sandy beach or a close-up of a vinyl record. The proximity of the curves makes it possible to place a glass on the surface, keeping intact the perfect balance between function and form.
This piece is designed for the solo exhibition “From honeycombs to Pyramids” at Galerie Maria Wettergren in Paris - 2022
The project was supported by the Danish Art Foundation